2015: Looking Ahead

2015So, as I wrote earlier, 2014 was a great year for me.  And the year before.  And the year before.  But that’s because I’m pretty easy to please.  It’s a great problem to have, but it also places me in my own way sometimes.

I’m like a little kid.  It doesn’t take much for me to feel like “this is the most awesome thing ever!!!”  When I’m doing extra work, most of the people around me are complaining about the lack of variety in the catering, or how it’s such a long day.  I just look around and think “but guys, we’re working on a real mooooovie!”  Same for reenactment tv.  And student films.  And shows.  And concerts.  I guess the great news is I haven’t become jaded.  When it comes to focus, though, that’s where I have a problem.

When people get to know me, or at least get me involved in conversation about everything I’m doing, they inevitably ask me what my dream job is.  And I always struggle to come up with an answer.  Again, the good part is that there isn’t only one thing that I’d be happy doing.  The bad part is that with so many options on the table, I never really put enough focus into any one of them.

In a city like New York, if you want to get to the top in any field, you’ve gotta work harder than everyone else around you.  And while a lot of people will tell you that I’m one of the most driven people they know, that drive lacks focus.  What they see is that I’m always on the go, always working, and usually have something fun to post about on Facebook.  But I don’t really have a master plan.  I just submit and apply for everything that interests me, and if I can squeeze it into my schedule, I do it.

I usually only have one day off a month where I’m not running from one thing to the next, and on most days I’m working more than one job.  If you look at the last two weeks before I left for the circus, I worked as an admin assistant for The New York Pops and Actors Equity, I acted in a short film, was the rehearsal accompanist and sang in a concert with Essential Voices USA, recorded a voice for an animated film (which I also composed the theme song for), taught one workshop for Disney and two for A Class Act, directed and accompanied a benefit concert, worked as a church organist and choir director, photographed a press event, and hit up a few auditions.

Insane, right?  That’s literally the two weeks before I left New York.  Was it a blast?  You bet!  Was I sleeping enough?  Not a chance!  Did I get sick because of it?  Of course, silly.  But that’s just what I do!

Now here’s the thing.  I’m finally getting to a point, at the ripe, young age of 35, where I’m starting to realize that I need a plan.  Sure, I’m doing a lot of fun stuff and getting loads of random crap on my resume.  But if I really want to take off, to really excel in one of these areas, I’ve gotta let people know that’s what I do and that I’m damn good at it.  Of course you can do as many things as you want, and I don’t believe that you can only be really good at one thing.  But, it’s a little harder for people to take you seriously if they don’t really know what you do.

Look at it this way, if you were going to hire a wedding photographer, would you hire someone who has a legit wedding photography business with hundreds of weddings in their portfolio, or would you hire a photographer who has shot a couple weddings, some fashion shows, a little bit of travel photographer, who has also catered weddings, worked them as a dj, and baked a couple wedding cakes?  I think the answer is clear, and I think you know I’m the metaphorical photographer/caterer/dj/baker.

The ball’s gonna drop in a few so I’m gonna take a break, but I’ll be back next year with more on my 2015 plans!

Happy New Year!

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2014: The Year In Review

2014-new-yearAs 2014 comes to a close, I can’t help but take a little time to think back on what an awesome year it was.  I always try to be optimistic, so I’ve never looked back on a particular year and said “well, this one really blew.  Let’s hope the next one is better.”  But this year in particular was really exciting.

I had a ton of fun, I got to do a lot of cool things and meet a lot of cool people, and in general, I was just loving what I was doing…most of the time.  (I’m sure if you talked to my roommate, she’d be able to point out a few times where all I did was bitch about what I was doing.)

RIght now, I’m in Ft. Myers, Florida, having a breakfast sandwich and a hot cup of black coffee at Panera Bread, one of my favorite places to just sit and relax.  I was thinking of going through, month by month, with my Google calendar open, but that just seemed obnoxious, so I’ll just shoot from the hip.

To start, I’m a teaching artist!  At this time last year, I didn’t even know what a teaching artist was (or that I had been one without knowing it); I had heard the term thrown around a lot but thought it was someone that had a masters in education who went into schools to do special programs.  Little did I know that a teaching artist could also be someone who dropped their education major after the first day of Classroom Instruments in college (though I don’t advertise that when applying for jobs).  Fast-forward to now and I’m working as a teaching artist for Disney Theatricals, Broadway Classroom, A Class Act NY, and starting in two weeks, The New York Pops, all which happened in 2014.

At the start of the year, I took a little cruise with Jim Brochu, playing piano for his show Character Man, which took us to St. Barths, St. Maarten, Jost Van Dyke, and San Juan.

I got to photograph a ton of celebrities I adore including Sarah Jessica Parker, Bette Midler, Aaron Tveit, Matthew Morrison, and Debra Messing.  And my favorite shot of the year was at The New York Pops gala honoring Scott Whitman and Marc Shaiman, when I was able to get “the three Tracys” in one photo: Ricki Lake, Nikki Blonsky, and Marissa Jaret Winokur.

With Judith Clurman’s Essential Voices USA, I had the privilege of singing with the chorus two more times at Carnegie Hall, once in March and once in Novemeber.  A small group of us also spent an evening with John Bucchino, singing through an arrangement of his piece Grateful that my friend Jeremy created.

For film and TV, I shot (acted in) an episode for Discovery ID and another one for The Travel Channel, I did my first voiceover work for Lucky and the Pirates, shot a short film, and recorded a little music for a web series I acted in last year, but finished up with the music this year.

And at the piano, I was a rehearsal accompanist for Broadway Backwards, musically directed Warp Speed for the Midtown International Theatre Festival, accompanied a couple cabarets, and had a blast working with Will and Anthony for several concerts.

And now?  I’ve run away and joined the circus!  I could not be more grateful for everything that’s been going on.  There isn’t a day that goes by that I don’t take some time to be thankful for all of the blessings (and insanity) in my life!

Another reason for this list is to segue into my next post, which will be all about figuring out what my plans are for 2015.  I still want it to be wacky and exciting, but as you can see, I tend to spread myself a little thin.  I think I’m going to hone in a little and put more energy into fewer things.

What will they be?  Patience, my child.  I’m still figuring it out.

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Carnegie Hall: 9th Time’s A Charm

carnegiehallI can’t believe it’s been three years since I auditioned for Essential Voices USA, under the brilliant direction of Judith Clurman. Back in 2011, I saw an ad on Playbill.com looking for singers for a chorus. I used to love singing in choruses so I figured, what do I have to lose? Long story short: I auditioned, I got in, and I’ve loved every second of it.

This time around I have also been the rehearsal accompanist, which has really been great. There’s no doubt I’m a much better pianist than singer, so it’s a real treat when I get to do both under the same umbrella. One part of what the chorus does is perform on the New York Pops subscription series at Carnegie Hall. When I auditioned, I had no idea that was the case. Had I known, I probably would’ve talked myself out of auditioning in the first place, telling myself there are much more capable singers. But ignorance was bliss.

Since I’ve been in the chorus, I’ve had the divine privilege of performing with them in nine concerts at the iconic venue. Even though I add the tiniest piece to the puzzle, there’s still something so magical about every show. You just walk onto that stage and you’re filled with a sense of awe; it’s truly majestic. And not only that, but you can’t help but think of all the people that have walked through that same doorway onto that same stage. The orchestra starts to tune and I just get chills.

Tonight, the concert was “By Special Request: An Evening With The Orchestra.” Most of the concerts on the series have celebrity performers, but this annual concert is all about the orchestra, and the spotlight isn’t shared with anyone else. I’m sure it’s delicious for the orchestra members to be able to dive into this music, selections that a pops orchestra normally wouldn’t play.

For the chorus, we sang O Furtuna from Carmina Burana, Copeland’s The Promise of Living, Bernstein’s Make Our Garden Grow, and Steven Reineke’s Festival Te Deum. Steven is the musical director and conductor of the orchestra, and this concert was the New York premiere of his stunning work. It was really fun–and a little nerve-racking– to be able to accompany the chorus for his piece, while he was there conducting us for our final rehearsal. (Although I wasn’t nearly as terrified as when Jason Robert Brown came to a performance of Songs For A New World that I was conducting, my first show in New York City.)

I’m pretty sick right now, and woke up feeling like complete trash. A part of me was hoping that I’d be sent home as soon as I showed up. Thankfully that didn’t happen because, as expected, as soon our dress rehearsal started and I was sitting on the risers on that stage, I couldn’t imagine wanting to be anywhere else!

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